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Drawmer MX40 Punch Gate

Drawmer MX40 Punch Gate

The MX40 Punch Gate is a high performance, simple to use 1U four channel noise gate that offers the same extraordinary sonic character, ingenuity, and high technical specification that have made Drawmer the world standard in gating technology. The MX40 is the first low cost, truly professional gate to offer the features and performance typical of much more expensive noise gates.The MX40 is the first Drawmer product to feature proprietary Peak Punch circuitry which adds unique dynamic enhancement to the leading edge of percussive material, adding true punch to the performance. The MX40 also includes Drawmer's Frequency Conscious System (first introduced with the DS201 Dual Gate), which tunes the gate to react only to a specific frequency band, dramatically improving gate operation. The MX40 packs four channels of high power Drawmer gating into a single rack space, with controls and indicators designed to make set up faster and easier. The Drawmer MX40 Punch Gate offers improved signal definition in complex mixes by isolating desired signal from unwanted background noise. It is especially important in sound reinforcement and the recording of short term sounds such as percussion. The MX40 Punch Gate Frequency Conscious System 'opens' the gate only when a signal exceeds the threshold you set within a specific and variable frequency band. This enables the gate to distinguish between a snare and a high hat, tom-toms versus bass drum etc. Drawmer's new Peak Punch circuitry further improves definition by dynamically enhancing the leading edge of transient signals immediately after gate opening, so percussive sounds 'punch' through the mix. The controls of the MX40 are designed to reduce typical lengthy and complex gate set upPush button options include Peak Punch On/Off, 'Frequency Trigger' On/Off, -20dB or -90dB Attenuation and Gate Bypass. The industry standard Drawmer red/yellow/green 'traffic light' LED display gives the user reliable indication of gate status. Special features include 'Key Listen' that enables the user to hear just the trigger signal for easier set-up. If Frequency Conscious operation (Frequency Trigger "On") is used, depressing Key Listen will enable the user to hear only the frequency band 'tuned' in on the Frequency Trigger rotary control. External Key allows the gate to be opened by an external signal. The MX40 can also be set so Channel One triggers all other gate channels, and 'Slave Link' links Channel One and Two together and/or Three and Four.Controls Three rotary controls are needed per channel: 'Frequency Trigger' sets the frequency band the gate reacts to.'Threshold' sets the level at which the gate opens. Release' determines how long before the gate closes after falling below the set Threshold level. Threshold: This rotary control sets the level at which the gate opens (or closes) and may be set anywhere between -60dB to +20dB. All signals below Threshold will be reduced by -20dB or -90dB, depending on the 'Range' contr
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Drawmer MX40 Punch Gate

Drawmer MX40 Punch Gate

The MX40 Punch Gate is a high performance, simple to use 1U four channel noise gate that offers the same extraordinary sonic character, ingenuity, and high technical specification that have made Drawmer the world standard in gating technology. The MX40 is the first low cost, truly professional gate to offer the features and performance typical of much more expensive noise gates.The MX40 is the first Drawmer product to feature proprietary Peak Punch circuitry which adds unique dynamic enhancement to the leading edge of percussive material, adding true punch to the performance. The MX40 also includes Drawmer's Frequency Conscious System (first introduced with the DS201 Dual Gate), which tunes the gate to react only to a specific frequency band, dramatically improving gate operation. The MX40 packs four channels of high power Drawmer gating into a single rack space, with controls and indicators designed to make set up faster and easier. The Drawmer MX40 Punch Gate offers improved signal definition in complex mixes by isolating desired signal from unwanted background noise. It is especially important in sound reinforcement and the recording of short term sounds such as percussion. The MX40 Punch Gate Frequency Conscious System 'opens' the gate only when a signal exceeds the threshold you set within a specific and variable frequency band. This enables the gate to distinguish between a snare and a high hat, tom-toms versus bass drum etc. Drawmer's new Peak Punch circuitry further improves definition by dynamically enhancing the leading edge of transient signals immediately after gate opening, so percussive sounds 'punch' through the mix. The controls of the MX40 are designed to reduce typical lengthy and complex gate set upPush button options include Peak Punch On/Off, 'Frequency Trigger' On/Off, -20dB or -90dB Attenuation and Gate Bypass. The industry standard Drawmer red/yellow/green 'traffic light' LED display gives the user reliable indication of gate status. Special features include 'Key Listen' that enables the user to hear just the trigger signal for easier set-up. If Frequency Conscious operation (Frequency Trigger "On") is used, depressing Key Listen will enable the user to hear only the frequency band 'tuned' in on the Frequency Trigger rotary control. External Key allows the gate to be opened by an external signal. The MX40 can also be set so Channel One triggers all other gate channels, and 'Slave Link' links Channel One and Two together and/or Three and Four.Controls Three rotary controls are needed per channel: 'Frequency Trigger' sets the frequency band the gate reacts to.'Threshold' sets the level at which the gate opens. Release' determines how long before the gate closes after falling below the set Threshold level. Threshold: This rotary control sets the level at which the gate opens (or closes) and may be set anywhere between -60dB to +20dB. All signals below Threshold will be reduced by -20dB or -90dB, depending on the 'Range' contr
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Drawmer DS201 2-Channel Noise Gate

Drawmer DS201 2-Channel Noise Gate

The Drawmer DS201 Dual Gate is a sophisticated dual channel noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, and not found on conventional noise gates. Setting up noise gates can be tedious and unrewarding. For example, when attempting to separate a signal from unwanted noise or crosstalk that is relatively high in level, spurious triggering of the gate by unwanted components within the sound can be a serious problem. This can often be experienced in the studio when recording a drum kit. If a gate is used to clean up the snare drum sound, it is quite likely that the nearby hi-hats will spill into the snare drum microphone and cause the gate to open. Increasing the threshold level may cure this problem, but then there is a very real danger that any quieter snare drum beats may not cause the gate to open at all and the performance can easily be ruined.Drawmer solves this problem by including two variable filters, one high-pass and one low-pass, which act upon the side-chain keying circuitry. By setting the output switch to key listen the user can hear the action of the filters and adjust them to reject high frequency spillage from the hi-hats. This now enables the gate to only open on the lower frequencies present in the snare drum.Drawmer pioneered the concept of frequency conscious gating, and the Drawmer DS201 was the first noise gate to include this feature. The very fast attack of the DS201 means that it can open in a matter of micro seconds, thus preserving the natural attack of whatever sound is being gated and the comprehensive envelope controls mean that the gain can be changed at whatever rate best suits the material being processed. With vocals for example, a fairly fast attack is needed so as not to clip the leading consonants but a slower release time will prevent the end of words being clipped off and will also fade out any noise gradually rather than cutting it off abruptly. This latter point is very important as the human ear is far more sensitive to rapidly changing noise levels than to a constant low level noise. Another important role played by the gate is in the reshaping of existing sounds. An example of this might involve a simple sampling delay line used to store a sound to be re-triggered later and added to a mix. A gate can be used to impart a slower attack or faster decay to the sound and careful setting of the decay envelope can effectively hide any noise present at the end of the sample. When using a sampler or drum machine the gate can be considered a triggered envelope shaper, and the wide range allowed by the envelope controls make the DS201 ideal for this application.The unit can be switched to accept a key input, which allows the gate to be triggered externally. An example of this would be to use a snare drum signal to open the gate on a separate ambient microphone to create a natural alternative to gated reverb. Each channel can be individually switched
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